Portrait Commission
I received a special commission from a
dear friend that I could not turn down. My friend asked that I paint a portrait
for her partner in memory of his grandfather. My art career began with portrait
pencil drawings of families, children, and individual people but it has been a
long time since I accepted a portraiture commission so I was hesitant at first.
Plus trying to capture someone’s face with paint is always a challenge.
However, taking on this project has made me grow as a painter and has made me
fall in love with painting the human face all over again.
Working on this painting made
me develop a technique that I have never used before. In the past, I would
always start with the eyes and work my way outwards when it came to a portrait
painting. This technique took a vast amount of time. For this painting I found
a quicker way to paint the human face. I blocked in the larger shapes and then
proceeded to paint the smaller details at the end. I saw the face as shapes
instead of the human figure. This technique helped block in everything very
quickly so that I can move forward to my favorite part of painting; molding and
details. The use of large brushes at the start of the painting, followed by
smaller brushes at the end allowed me to work through this painting very
quickly. It actually surprised me since it would have taken weeks to complete
this painting in the past. But with a toddler around and working only when he
naps, this would have taken months. Discovering this technique helped me save
time and it also meant that I could send this painting to my dear friend much
quicker than expected.
It was such a delight to paint
this portrait. I enjoyed combining an expressive loose background with a more
realistic figure. My goal for this painting was not to capture an exact replica
of the photograph but to capture the man's spirit. I especially wanted to
capture the happiness that I felt from looking at his smile.
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